stunning percussive tribal techno , 4 tracksÓlfo-sampled !!

kickin harder percussive techno

ultraphat dynamic percussive monoclubtracks...used pump up the volume vocal sample like marrs

huge percussive schranzin technoÓm¸rder !!!

variantenreicher techno ...harder percussive tunes in verschiedenen ausf?hrungen...stramm !!

percussive techno orgie on drumcode with tribal touch

ultraphat storming percussive mono banger...check mix 2 (glenn wilson remix) schranzzz / will be kaned by all the top jocks, including fergie, clarke and coxy.

3x knallfetter dark percussive techno ...1

ultra hardgrovin percussive schranz techno tracks

brill hardgroovin percussive techno

ultraphat percussive harder techno, wj henze production

brill bassheavy percussive techno monster ... big tune !

bootleg !! sos band vs depeche mode�percussive techno monster !! super limitiert !

classic detroit like percussive monster

klasse minimale tech tracks, percussive & groovig / all i need feat vocals by virginia

excellent hardgroovin percussive filtertechno monster/ sven väth playlist

due for an autumn release on far out recordings, rasif sees amaro freitas take a deserved step onto the world stage. from the afro-brazilian maracatu born on the sugar plantations of slavery, to the high intensity carnival rhythms of frevo and bai�o, amaro s heavily percussive approach to jazz is as indebted to these pernambuco traditions as it is to coltrane, parker and monk.

the french trio evergreen (previously name we are evergreen) grew up listening to pop music from the us and the uk. yet, like many of the most influential artists of todays french pop scene (fishbach, halo maud, etc.) they value both french and english to deliver their message. this new album Ôoverseas was recorded with ash workman (fran�ois & the atlas mountains, metronomy, christine and the queens), and see the band use a warm sound loaded with synthesizers and draw influences from the likes of django django, air or metronomy to craft percussive electro-pop songs.

cd jewel-box with 12 pages stapled booklet. keziah jones (born olufemi sanyaolu on 10 january 1968) is a nigerian singer-songwriter and guitarist. he describes his musical style as blufunk, which is a fusion between raw blues elements and hard, edgy funk rhythms. also his nigerian roots in yoruba music and soul music can be considered a major influence on his sound. he is known for his distinctive style of guitar playing, including his percussive right-hand technique which is similar to a bass guitaristÕs slapping technique. his music blends sounds and influences from many sources, including fela kuti, miles davis or jimi hendrix.

a leading figure of the contemporary electronic world, jamie odell aka jimpster sets his sights firmly back on the album format with this beautifully crafted long-player, silent stars. a self-confessed creature of the night, the freerange records and delusions of grandeur boss taps into his nocturnal and escapist impulses to deliver a superbly executed modern-day fusion album. his seventh studio album and first since 2013Õs highly-acclaimed porchlight and rocking chairs, this is an album dedicated to the nocturnal hours. silent stars is a richly textured ride through the tapestry of house, from jazz-infused opener ÔmigrationsÕ through to the dense, orchestral euphoria of Ôtau tonaÕ and the minimal, percussive bounce of title track Ôsilent starsÕ. the listener edges a touch closer to the dancefloor on tracks like ÔyansaÕ and Ôpower of the doofÕ - yet the grooves stay subtle with intricate percussion, dense sound design and a mischievous streak being palpable throughout. a range of guests are welcomed by jimpster across silent stars. hotly-tipped londoner florence rawlings adds her vocals on ÔcraveÕ and ÔeverytimeÕ. past collaborator and member of kirk degiorgioÕs the beauty room, jinadu weaves emotional soul on album centerpiece Ôthe sun comes upÕ. khalil anthony lends his vocals on Ôwhere you areÕ and leading session drummer andy gangadeen (massive attack, chase & status, the bays) lays down his immense beats on Ôtau tonaÕ. jimpster is a true veteran of the global house scene, a custodian of the authentic deep house sound and a producer who has quietly created some of the most reflective and sophisticated electronic music

wrwtfww & palto flats records are ecstatic to announce the highly-anticipated reissue of japanese percussionist midori takadas sought after and timeless ambient / minimal album through the looking glass, originally released in 1983 by rca japan. considered a holy grail of japanese music by many, through the looking glass is midori takadas first solo endeavor, a captivating four-song suite capturing her deep quests into traditional african and asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. the result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience. the fully licensed reissue is available as a single 33rpm lp and a limited 45rpm dlp, both cut directly from the original studio reels (aaa), at emil berliner (formerly the in-house recording department of renowned classical record label deutsche grammophon) for the 45rpm dlp, and at the equally famous frankfurter sst studio for the lp.

springing up from the osaka underground club music scene in 2006, hino is a rhythm master, intimately examining and extending pulses and grooves in his various projects. ypy is hinos long-running rhythmic solo dna lab, in which he investigates impulsion and propulsion, using drum machines and synthesizers in an organic and vital manner to create living and evolving percussive biosystems which are more than electronic music etudes.

as we launch into the 20th instalment of our watergate mix series, it seems only fitting that we turn to one of our own artists to commemorate the milestone. a man already well known for his poignant and impassioned productions and dj sets, we are thrilled to present matthias meyer as the next master of controls on watergate 20! over the course of 80 minutes, meyer skillfully navigates through boundless sonic spaces of lush melodics, organic grooves and sentimental sensations with an effortless approach. from the very beginning, emotions run deep as the sound of rain and strings on kettenkarussellÕs Ôten friendsÕ sets the stage as yokoo & retzas exclusive track satori and leafar legovs tribal girls establish the percussive tone of the mix. the journey really begins to unfold when back to back exclusive tracks gorje hewek & izhevskis turgoyakk and matthias own uluwatu take over. as the mix picks up steam tracks from palms trax, langenberg, hyenah and another exclusive from meyer himself provide the perfect momentum that drives us into the deeper side as the mix takes a turn towards the final stretch.

deep vibes recordings returns to the fore with none other than notorious frank heinrich aka reboot, purveyor of masterfully crafted rhythm etudes and a highly respected member of frankfurts vibrant house scene. with deep v, the offenbach-bred producer brings his seething second album to sascha dives imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer

following on from the impact of 2011s sophomore album glimpse, were proud to announce the release of julien dynes third full length album december. stylistically a continuation of the futuristic elements hinted at on glimpse blended with the stilted pulsing rhythms of dynes first lp pins and digits december offers studies in shimmering melodies, woozy beds of rich harmonic sound, sturdy percussive backdrops, combined with rnb stabs and dense vocal harmonies.

iggor cavalera is best known for his part as the drummer of brazilian super-group sepultura. having toured heavily around the globe, winning several best drummer accolades and sold over 10 million records, iggors incredible ability to project emotion and evoke thought through his percussive talents is being given an outlet in the form of his exciting collaboration with his djane wife laima leyton, mixhell.

iggor cavalera is best known for his part as the drummer of brazilian super-group sepultura. having toured heavily around the globe, winning several best drummer accolades and sold over 10 million records, iggors incredible ability to project emotion and evoke thought through his percussive talents is being given an outlet in the form of his exciting collaboration with his djane wife laima leyton, mixhell.

vidis hat sich nie als ein erfinder oder ein pionier gesehen. einige sagen, das rad neu zu erfinden sei keine option, aber was, wenn man etwas nimmt, das bereits existiert, und fuegt es zu einer neuen richtung, qualitaet und dimension zusammen? also hier ist vidis heute - ein dj, produzent, promoter, radiomoderator, labelgr�nder, kuenstler agentur-manager und vieles mehr. schlicht und einfach gesagt - ein musikliebhaber der hoechsten ordnung, eine lokale institution und ein verfechter der szene in seiner stadt. der meister der neuerfindung. vidis veroeffentlicht mit silence please!, als erster litauischer dj, ein mix-album, auf einem international anerkannten label, get physical music.

this is a textured soundscape energized by drums that might sound inspired from the influences of the past but are clearly crafted with sounds pulled from the future. from here we arrive at prisms, an interlude that at first seems relaxed until you realize that with just a combination of arpeggiated synths, percussive elements and noises plucked from the ether you are smack in the middle of a piece of music that somehow wraps its emotion around a moving image that moves you with it.

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen Ð its driving, percussive dance music. a comedy in six acts: from l.a. to d�sseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach d�sseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of d�sseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

tunisia has never been a referent place in the electronic music world. it was better known for its beaches and sunny weather, hardly for its political regime but the events of 2011 brought quite some changes about that. these changes have been nurturing in the underground of the country until exploding to the face of the world, with fantastic momentums of rebellion, courage and union. shinigami sans album is a signal that emanates from the underground of tunisia: a hybrid of dubstep, techno and noise, very dark, but most importantly, very true. this is neither the sound of london or berlin, and if a couple of ingredients from here and there are recognizable in -toys-, it is most definitely the electronic sound of tunisia we bring to you here. from the dusty, 8-bit dubstep of -lofi- and -toys- to the dark techno rollers -post trauma- and -migra-, you will go by tribal beats, eerie atmospheres and heavily distorted sound textures. shinigami san draws a panorama that shows both impressive skills and style. -toys- is not only about excellent and true music, but also about original product design and diy manufacturing. this 450 digipack limited edition was hand-printed and crafted using silk screen printing, rulers and cutters. the graphic design is based on drawings from sabrina ben hadj ali, and each cd comes with 3 original prints on the theme of the album. today, we are up to put tunisia under the radar of electronic beat diggers, today, we bring you the first album of tunisian-born shinigami san: nothing cheesy here, just a raw, brutally honest vibe.

dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

at its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the cadenza sound. but mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole.

>sidonia< opens, immediately announcing that this wont be merely business as usual. with its groaning sub-bass and flickering percussive flashes, the track echoes the dubby, drifting melancholy of classic warp records-always, in truth, a key influence for cadenza. bells and voices lend an atmosphere of shimmering energy thats carried over into >around the angel< which sails jubilantly forward, propelled by intricate polyrhythms and uplifting female vocals.